Previously on LOST [Recap for 1.02 "Pilot, Part 2" HERE]: We added Sawyer to our list of known names [but not until he read "the letter" for the first time]. Locke spoke his very first lines [to Walt], through which we were given a big, fat, red herring theme [Good v. Evil] for the show. We also learned Walt's mom died recently [and he's not to upset about it]. Claire felt the baby move for the first time since the crash. Our Transceiver Signal Posse [TSP] trekked to Mountain Meadow, but not before they kill a polar bear [Sawyer], and we [and maybe Kate] learn that Shrapnel Man is the marshal, and Kate was his handcuffed prisoner. TSP does get a signal, but it's a looped distress call/message by a French woman that's been playing for 16 years [according to Sayid's mental math].
Names of our losties we know so far: Jack, Kate, Charlie, Sayid, Boone, Shannon, Walt, Vincent and Sawyer. NOTE: We still don't know ANYONE'S last name.
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Begin Episode 1.03
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CRASH SITE
Peeps sift through luggage. Jack sews up the marshal's (really BIG) belly wound.
- Marshal: Don't trust her. She's dangerous. Have to find her. Have to bring her back.
- Jack: Whatever you say, bud.
- Marshal: My handcuffs. Where are my cuffs?
- Jack: What?
- Marshal: My jacket pocket. Jacket pocket! Jacket pocket!
- Jack: Okay! Okay! Jacket pocket!
Jack finds the jacket pocket and pulls out folded sheet of paper. Mug shot of a really irritated lookin' Kate.
- Marshal: Dangerous. She's dangerous.
- Jack: Damn.
Kate report: Described as dangerous -- shouldn't be trusted. Evidence: Nothing yet.
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VIEWER ASSIGNMENT - KATE
NOTE: Throughout this entire episode, we are told over and over again how "dangerous" and "hard core" Kate is. From this moment forward, I challenge you to compare what you SEE Kate DO/experience with what you HEAR about Kate from others. REMEMBER: During rewatch we are PUTTING AWAY our assumptions and examining the EVIDENCE. What EVIDENCE do you SEE in this episode that gives us info about Kate? What does that info tell us about her?
We are also testing Amy's theory about flashes (didn't know that, did you!). Amy's theory says that the flashes are NOT "real" memories (any more than the flash sideways - Read all about the flash-sideways HERE). They are also taking place in real time and sequential to what happens on the island. They are NOT the actual past, and we should avoid interpreting what we've already seen based on our belief that the flashes actually took place in the past (before Jack opened his eye).
The way to test Amy's theory is to find hard proof that our losties KNOW the contents of their flashes before they happen. I'm counting on you, lovely LOST readers, to help me out with that! [It starts with THIS episode, okay? Not the pilot, which is special for the COOLEST reasons!]
While seeking hard proof, remember it's always ALL about the EVIDENCE, and not our assumptions, which fill in the blanks for us and distract us from the truth. [Be VERY careful of Darlton wordplay. Be little LOST lawyers and put the show on the stand. How things are worded can get you off the hook! LOST does the same thing!]
Let's go!
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MOUNTAIN MEADOW
A forlorn Kate trudges ahead of our Transceiver Signal Posse [TSP]. They decide to stop for the night. Well, most of them decide.
- Sawyer: Have a nice cookout.
- Sayid: Enjoy your sudden death. I know I will.
- Kate: He's not kidding. At all.
- Sawyer: Fine.
TSP chat fireside in the dark. Sayid rehashes the Pilot.
- Sayid: . . . And we know the rest.
- Kate: We're screwed.
- Charlie: They'll find us with the satellite thingys, right?
- Sayid: Not unless they already know where to look.
- Charlie: Bullocks.
Sawyer rehashes the transmission interception. NOTE: This is the FIRST time Sawyer calls Kate "Freckles."
- Sawyer: Let's talk about how she said, "They're all dead."
- Boone: We have to tell the others.
- ALL: Nope. Bad idea.
- Sayid: We can't relay what we heard without understanding it first. [Relay, get it?] If we tell them what we know, we take away their hope, and hope is a dangerous thing to lose. [This echoes Christian's sentiments to Jack when he tells him to give Sarah hope before surgery. Jack's response: That's not hope. That's false hope.]
- Kate: So we lie.
- Charlie: And we're still screwed.
- Kate: Agreed.
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CRASH SITE
Hurley helps Jack create a makeshift infirmary.
- Hurley: So was it a dinosaur?
- Jack: Nope. It's not a dinosaur.
- Hurley: You said you didn't see it. How do you know it wasn't a dinosaur?
- Jack: Because dinosaurs are extinct. [If you're wondering, this is the perspective where all Amy's theories begin right here in this sentence.]
Hurley looks the marshal over.
- Hurley: So what's his story? [HAHAHAHAHAHAHAHAHAHAHA! Get it? We are LEARNING his story as we watch the FLASHES in this episode.] He looks, kinda, dying. And yellow.
- Jack: He's not gonna die. The antibiotics'll fix him right up.
- Hurley: What if they don't?
- Jack: Then he's gonna die.
- Hurley: He looks like he's in pain.
- Jack: Ya think?
Hurley finds Kate's mugshot.
- Hurley: Uh, dude?
Jack takes it and hides it better this time.
- Hurley: What do you think she did?
- Jack: It's none of my business. [HAHAHAHAHAHAHAHAHAHA!]
- Hurley: She looks pretty hard core!
- Jack: Hard core? With all that hair? You can't be serious.
Kate report: Described as looking "hard core" in her mugshot by Hurley.
Evidence: Grumpy, pissed off expression in mugshot.
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MOUNTAIN MEADOW CAMP
TSP asleep by the fire. Boone tries to sneaky take the gun clip from Sayid (dumb idea). Everybody jumps awake.
- Sayid: WTF?!
- Boone: I'm standing guard. You heard --
- Sawyer: You took my gun off me boy?!
- Kate: It's not like it's hard --
- Shannon: Please! He's never even held a gun! He doesn't believe in guns -- he goes on marches. [What's this about? Interesting. Hm. I'm paying closer attention to Boone during this rewatch. He shows up at the end "in the know." I honestly didn't see that one coming!]
- Boone: I don't go on marches.
- ALL (but Kate): Gimme the gun!
- Shannon: Give it to Kate.
- ALL: Okay.
They hand it over. Kate reluctantly takes it.
LISTEN to that WHOOOM sound building as she takes it. OVERLAPPING sound of gun cocking.
NOTE: Kate's flashes could be triggered by the gun. We caught a glimpse of this in "Pilot, Part 2." The gun would be one of those "constants" we talked about that help our losties retain or have access to the information (we see in their flashes) once the flash is over.
ALSO NOTE: The OVERLAPPING of SOUNDS. We HEAR the flash before we see it (I'm guessing so does Kate).
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FARMER [RAY]'S FARM
A barn (or some such thing. I don't spend a lot of time on farms). Kate camped out in the hay. A rifle aims at her face. A one-armed, Australian farmer stands over her. [We don't learn his name until his very last scene.]
- Farmer: You're sleepin' in my sheep pen. [Ah. So that's what it is. My bad.]
- Kate: Not any more. I'll just be on my way.
- Farmer: How'd you get here? [LOADED question after Season 6, right?]
- Kate: I walked.
- Farmer: You walked? From wh---- [It should be "where," but it sounds a LOT like he says "when."]
- Kate: From town.
- Farmer: The nearest town's fifteen kilometers. [Kilometers are what metric system people have instead of miles. All I know about it is 55 mph=88kph.] I'm irrationally impressed. What's yer name? You hungry?
- Kate: Annie, and yeah.
The kitchen. Kate/Annie stuffs her face with breakfast (eggs and bacon -- ummm) .
- Farmer: You're trespassing.
- Kate/Annie: I'm broke.
- Farmer: You're American?
- Kate/Annie: As if! I'm Canadian. I'm post-college graduation world hopping. I walked/wandered here from Melbourne.
- Farmer: That's a hundred kilometers from here!
- Kate/Annie: Yeah. So?
- Farmer: Since I'm impressed with your walking, how 'bout you help me out around here? Room and board plus a fair wage. Last name optional.
- Kate/Annie: Deal.
She reaches out to shake hands. He thumps his wooden right hand on the table.
- Farmer: I'm a lefty.
- Kate/Annie: Lefty works for me! [CHECK IT: Kate's eye's look TOTALLY blue here. Weird.]
NOTE: In the very next episode ("Walkabout") Kate tells Jack she's a vegetarian. Last I checked vegetarians don't eat bacon and eggs, yes? The farmer's irrationally non-judgmental and helpful attitude is on the first of many, many strangers who help FlashKate out for no apparent reason (All our losties, if you think about it). The most blatant of these helpers? The mechanic who cuts her out of the handcuffs in Season 6 ("What Kate Does").
We'll be exploring the character of Kate in a separate post, but it's good to note that HER'S is the first flash that doesn't take place in the plane. It's also good to note what a big deal it is that she's captured/on the run. Always remember, these flashes are NOT "real" memories. This are flashes connected to Island Kate's (and the marshal's) mind that are pretending to be memories. After they happen, they inform Kate's character/identity/background on the island -- even to KATE.
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CRASH SITE
Hurley on the run. He finds Jack in the infirmary.
- Hurley: Dude! Dude! They're back.
Sayid holds court.
- Sayid: Blah-dee, blah, blah . . . help the rescue team find us. . .
WATCH CAREFULLY: Check out Jack's body language here (besides the fact that he's totally hot). He's happier to see her now that he knows she's a criminal? It makes NO sense UNLESS, there's something else going on in this scene. Like I said, watch Jack's specific reactions throughout this scene and see what you see.
Jack approaches the group. Kate spots him and smiles. Jack looks over his shoulder at the group.
- Kate: I need to tell you something.
- Jack: Okay. Sure. [NOTE the expression on his face. KEEP noting it. It'll tell you everything -- I swear!]
They leave together. Shannon and Hurley eye them as they go. [What's up with Shannon here? Snoop much?]
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PRIVATE BEACH
Kate and Jack walk down the beach together. [HINT: ignore what they are SAYING and listen to their BODY LANGUAGE. Muting the sound helps here.]
- Kate: . . . on a loop for sixteen years.
- Jack: That sucks. I guess we're screwed.
- Kate: I wanted to tell you.
- Jack: Anything else?
Kate looks toward the infirmary. A tarp flaps in the breeze.
- Kate: Shrapnel man. How's he doing?
- Jack: Not great.
- Kate: He wake up?
- Jack: A bit.
- Kate: He say anything?
- Jack: Nope.
Jack scans her face, half amused, half -- what? I'm not even sure. LISTEN to the WHOOOM sound as we: CUT TO BLACK.
Kate report: nothing to report. Evidence: TSP trusts her with the gun, she likes walking, she's not a vegetarian, she knows how to work a farm, she doesn't keep the transmission a secret from Jack, and she asks about the marshal.
[Watch your assumptions! It looks like she's checking to see if Jack knows her secret. HOWEVER, it's ALSO possible she may want to know what the marshal knows, as in, she doesn't know herself -- ahh-ahh-ahhhh -- If you ASSUME her flashes are real memories, you ASSUME what she's thinking, and assumptions are NOT hard evidence. Take away those assumptions, the only thing this little exchange PROVES is that she's interested in what the marshal has to say NOT WHY she's interested. We added the "why" on our own. See how it works? Defensive interpretation protects us from Sneaky Darlton!]
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CRASH SITE
Jack and Hurley decorate the infirmary.
- Hurley: Well?
- Jack: Well what?
- Hurley: You know! The mug shot, the hand cuffs, that guy mumbling she's dangerous, she's dangerous --
- Jack: It's not my business. Not my problem.
- Hurley: Yeah. We'll let Johnny Fever take care of her when he gets better.
- Jack: We need stronger meds. You checked everything? Luggage in the plane too?
- Hurley: No. There's bodies. And they're all -- dead.
- Jack: I got it.
- Hurley: (darts off) Good.
Jack turns to the wreckage.
Kate report: Described as dangerous. Linked to mug shot and handcuffs (even though we've never seen her near them on the island).
Evidence: Marshal's description, grumpy mug shot, handcuffs mentioned by marshal.
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PLANE WRECKAGE
[Okay, gotta butt in here and say this is, quite possibly, one of my VERY favorite scenes in the entire series. Pay attention to Sawyer's attitude AND Jack's reaction. They'll mean something later. Also, do you see ANY bodies anywhere in this scene? Hurley's been on and on how there are too many bodies on the plane. If you see any, let me know, cuz I'm not seeing 'em.]
Dark clouds on the horizon. Flashes of lightening. The mangled remnants of the cabin (Get it? Cabin?).
Jack searches small bags with a small flashlight in his mouth. He examines a bottle of pills. Nearby noises. Jack quick checks behind him and gets back to business. [LISTEN: Do you hear the OTHER noises? Like the wind chimes? The background noises here are definitely worth noting.]
More noises startle Jack. He stands with his flashlight high. Sawyer clicks on his flashlight, spooky lighting his face from below.
- Sawyer: Boo. [HAHAHAHAHAHAHAHAHAHAHAHAHAHA!!!]
- Jack: You're an ass.
- Sawyer: Hmph.
- Jack: And you're looting.
- Sawyer: Said the pot to the kettle. I'm trick or treatin', same as you.
- Jack: What's in the bag?
- Sawyer: Booze, smokes, coupla Playboys. What's in yours?
- Jack: Medicine.
- Sawyer: Welp. Just about sums it up, don't it? [HAHAHAHAHAHAHAHAHAHA! Guess now we know who's gonna smoke, drink and have sex on the island!]
- Jack: You do this at home, too? Steal from the dead?
- Sawyer: You gotta wake up and smell the gall-crap here. [I'm with Sawyer on this one. How is stealing from the DEAD a bad thing in their situation? And what's Jack doing? Borrowing meds from the dead? Hinky.] You're wasting you're time with Shrapnel Boy. Lemme ask you something. How many a those pills you gonna use to fix him up? [i.e. How many of us won't get needed antibiotics after you use them all up on a hopeless cause?]
- Jack: As many as it takes.
- Sawyer: How many you got?
Jack can't answer. Sawyer smirks.
- Sawyer: You're just not lookin' at the big picture, Doc. You're still back in civilization.
- Jack: Yeah? And where are you?
- Sawyer: (grins) Me? I'm in the wild.
He grins, chuckles and leaves. Jack looks perturbed and disturbed.
Here's my number one question out of this scene: What's the big picture?
[Wow. I love that scene.]
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CRASH SITE
Claire struggles with luggage. Charlie intercedes. He piles the heavy bags into a nearby wheelchair.
- Claire: Thanks.
- Charlie: Well, look on the bright side. Whoever's this was is probably better off than we are. [How's that work, Charlie? Cuz he didn't survive the crash he's better off than you and Claire? NOTE: Tricky, tricky on the wordplay here, esp with the past and present tense.]
Sun lugs a suitcase to Jun.
- Sun: I think I found your bag.
- Jin: Really? Let me see. That's not it.
- Sun: I'll keep looking.
- Jin: Come here. Have you seen yourself?
He touches her face as he talks.
- Jin: Your clothes. You're filthy. Go wash up.
Sun touches her face [we see her wedding band]. She leaves.
- Jin: Sun.
She turns back.
- Jin: I love you.
She doesn't answer. She looks unsure how to respond. [Watch how WHAT Jin says is so very different when we see HOW he says it. He was a TOTAL, hateful jerk prior to this. Now, even though it looks like he's ordering her around, we could, maybe, also say that he's telling her to take a break from finding his suitcase and take care of her own needs instead. I know. It's a stretch because he was SUCH a JERK before! And yes, acting like a total jerk by smacking her hand and ordering her to button up -- that's hard evidence, BUT so is acting NICE. Oh, and now we finally know Sun's name.]
Charlie and Claire continue to lug luggage.
- Charlie: How's the baby?
- Claire: Okay, I think. [AGAIN with the "I think."]
- Charlie: Your husband? Was he on the flight?
- Claire: I'm not married. I know, how modern of me.
- Charlie: Who needs men? Bloody useless anyway.
- Claire: So, you guys hiked all the way up that mountain for nothing, huh? [Hello, non sequitor much?]
Charlie double takes the "mountain."
Hurley hustles out of the infirmary with empty water bottles. He nearly smacks into Kate.
- Hurley: Uh, I was gonna get some more water.
- Kate: We haven't met yet. I'm Kate.
- Hurley: (shakes hand) Hi, Kate. Hurley.
- Kate: I was lookin' for Jack.
- Hurley: He's over there lookin' for medicine.
Kate turns to look. Hurley spots Sawyer's gun tucked in the back of her jeans. He freaks.
- Kate: Where, in the fuselage?
- Hurley: Yeah -- gotta go!
Hurley skitters off with a furtive glance back. Kate watches him go. WEIRD BIRD CALL. Thunder. She looks away.
Rain at the CRASH SITE. Sayid and peeps set up a water catch. Soaking wet peeps run for cover.
Kate report: Hurley's terrified of her. Evidence: The gun (that we know the TSP gave her to hold).
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INFIRMARY
The marshal, nice and dry, lies motionless. Kate, also nice and dry, hovers over him. Her face is mere inches from his. His eyes are closed. She stares at them.
WATCH CAREFULLY what happens here. Also LISTEN to the difference in the transitional noises. Ask yourself, what is Kate up to? We know she's got the gun. We know it's got a bullet in it. What's she after here? [HINT: She's after the flashback.]
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FARMER [RAY]'S FARM
The kitchen in the middle of the night. Kate/Annie sneaks cash out of the pantry. Farmer catches her in the act. She's packed up to run. [SHE'S ALSO WEARING THE SAME EXACT COLOR SHIRT KATE IS WEARING ON THE BEACH. Before she had on a striped "Charlie" shirt and the SAME exact pants she was wearing on Oceanic FLT 815.]
- Farmer: You're hiding your wages in a tin can?
- Kate/Anne: I got trust issues. [Do we ever find out what these trust issues are about?]
- Farmer: Every time I ask you about yourself, you get that look in your eye. I figure you got yourself on the wrong side of a bad relationship and maybe you ran [Hang on -- there's a RIGHT side of a bad relationship?]. Middle of the night, tho -- that hurts.
- Kate/Annie: I'm sorry.
- Farmer: You gotta run. Fine. Stay one more night. Let me drive you in the morning.
- Kate/Annie: Okay.
- Farmer: I get it, you know. Everyone deserves a fresh start. [DING DING DING - Jack says basically the same thing at the end of this episode.]
Also, when Boone chats up Locke on the plane in "LA X," he says he went to Australia because Shannon was in a bad relationship. She didn't come back with him because she wanted to stay in a bad relationship.
WHOOOOOM noise.
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INFIRMARY
Kate keeps staring at the marshal's sleeping face. He darts awake, startling her. He grabs her by the neck and starts choking her. He pins her to the ground. [We've seen Kate attacked like this quite a few times, haven't we? Sawyer chokes her in the hatch almost exactly like the marshal does here. Clairuso attacks her with a knife -- then Locke smacks Clairuso good. I love that for some reason!]
Jack enters. He pries the marshal off Kate.
- Jack: Dammit! Dammit!
The marshal starts convulsing.
- Jack: Breathe! Come on! Look at me! Look at me!
He pins the marshal down with his body. He puts his hand over the marshal's forehead. The marshal is still again. Kate coughs and sputters.
- Jack: What did you do?
- Kate: I was just checking to see -- He jumped on me. He grabbed me. [What was she checking to see? Answer: the FLASHBACK.]
Jack squeezes water from a rag into the marshal's mouth.
- Kate: Is he -- okay?
- Jack: He's not responding to antibiotics. He's bleeding internally. His fever's pushing a hundred and four. And his abdomen's rigid.
Jack looks at Kate and shakes his head, disgusted. [What is up Jack's rear in this scene? He FOUND the marshal choking the life out of Kate, so why is he mad at HER? Pfft. What did she do? -- she tried not to DIE is what she did! That leads me to a big question: why is it so imperative that Jack keep this guy alive and what does Kate have to do with his decision?]
- Jack: He needs water.
Kate follows him into the rain.
- Kate: So what are you gonna do about it? About him? Will he suffer?
- Jack: What?
- Kate: Will it be quick?
- Jack: No, it won't be quick. Two, three -- maybe four days.
- Kate: And he'll feel it.
- Jack: Yeah. He'll feel it.
- Kate: Can't you put him out of his misery? [WATCH your ASSUMPTIONS here.]
Jack scoops water into a bottle. He turns on Kate. He gets into her face. [WATCH her reaction when he says the mug shot line. Seriously, look carefully.]
- Jack: I saw your mug shot, Kate. I am NOT a murderer.
He leaves. WATCH Kate's face. Watch her reaction. Watch how she shakes her head like she's dizzy -- then --
OVERLAPPING Patsy Cline music:
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HIGHWAY
Kate: (with an awesome tan) on the road in a beat up old truck with Farmer driving. CHECK IT OUT: the black band on her wrist -- even though her hair is already pulled back. NOTE: This is NO LONGER Kate/Annie. This is AUSTIN. I'll tell you how we know in a bit.
- Farmer: They listen to Patsy Cline in Canada?
- Austin: They listen to Patsy Cline everywhere.
Farmer keeps checking his rear view mirror. Kate looks back. A dark SUV quickly closes in fast. Kate shoots Farmer a look. [Turns out Farmer's name is RAY.]
- Austin: How long have you known?
- Farmer: Coupla days. I saw your picture at the post office. Guess they knew you were Down Under.
- Austin: Why?
- Farmer: There's a $23K reward. I told you when I met you. I gotta hell of a mortgage. If it makes you feel any better, it was a hard decision, Annie.
- Austin: It DOESN'T make me feel better, my name's not Annie, and YOU SUCK!
SUV pulls up beside them. The marshal lowers his window. He points a finger gun at her and pulls the trigger. Her look is pure loathing. [BIG MOMENT. It's really subtle, but watch her face change here. THIS is the "dangerous" person the marshal is talking about. This girl we're lookin' at right now, SHE'S the one who will do anything to get away.]
WHOOOOOM. CUT TO:
Kate right where we/Jack left her in the rain. Kate shakes her head to clear it. LISTEN to the NOISE as she bows her head and turns away.
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"WHAT THE HELL JUST HAPPENED?!"
Raise your hand if you've figured out what trick Team LOST just played on us. Remember, we are DROPPING our assumptions and considering the EVIDENCE first - what we actually see, what we actually hear BEFORE we interpret it with our assumptions. I'm writing up a longer version of this soon, but let's cover the bare bones here.
Exactly what happens in this scene:
- Kate hovers over the unconscious marshal.
- Flash reveals Kate/Annie about to sneak away from the farm in the middle of the night. Farmer convinces her to stay "one more night." He says he understands her situation [even though he doesn't know why she's running -- NOTE: he does NOT immediately think she's a criminal].
- Kate hovers over the unconscious marshal.
- He pops awake and chokes her.
- Jack intercedes -- his priority: keep the marshal alive.
- Kate asks if the marshal's death will be prolonged and painful.
- Jack says yes.
- Kate suggests/asks Jack "can't you put him out of his misery?"
- Jack gets mad, TELLS KATE HE'S SEEN HER MUG SHOT.
- Jack claims that he's not a murderer.
- Kate reacts and looks dizzy.
- Flash reveals: AUSTIN betrayed by Farmer Ray, who plans to turn her over to the marshal. [FIRST time we hear her say: "My name's not ______." NOTE: she NEVER follows up with her "real" name.]
All set?
Okay, if we ASSUME that Kate KNOWS the contents of her flashes up to this point, then we interpret Kate's, the marshal's and Jack's actions accordingly. Based on that assumption:
- Kate is alone in the tent with the marshal with a selfish, (possibly harmful) alterior motive.
- Jack is pissed at her because he suspects her of a selfish, alterior motive ("What did you do?").
- Jack's trying to keep the marshal alive as long as possible because he's a doctor and that's what doctors do - it's the "right" thing for Jack to do.
- Kate pretends to care about the marshal's suffering and suggests putting the marshal out of his misery for selfish reasons (to protect her "secret").
- Jack tells her about the mugshot to prove he knows her secret already, AND suspects her of having a selfish, alterior motive based on what he knows.
- Jack tells her he's not a murderer because he thinks she's trying to trick him into killing the marshal to protect her secret criminal past and pretending to care about marshal's suffering is part of that trick.
- Jack tells her he's not a murderer because he thinks/knows that she IS a murderer. [HUGE assumption working there. There's NO proof she's a murderer.]
- Jack is angry at Kate for sneaking around, threatening the marshal's life, keeping her past a secret from him and/or lying to him to trick him into doing something Wrong with a capital W.
Did I cover everything? Oh, no -- I forgot the flash! So given our previous assumption (that the flashes we've seen so far are memories of actual events and that Kate knows everything in the flash/memory before we do), the flash here is a memory that we are shown at this specific time for -- why? Anybody got a good reason? Artistic story telling? Filling in the blanks? KEEP in mind that THIS flash doesn't tell us how Kate got caught. It only tells us how the marshal found her (presumably in Australia). We already knew that from Kate's flash of the plane. So, what's the purpose of this flash for us exactly?
What's the purpose of this flash for Kate? Character development? Maybe we're seeing why she's got trust issues? Or that the marshal is NOT a noble guy and that he's "got it in for her" personally? (finger gun shooting someone is not a sign of sympathy).
We could also draw from this flashback that Kate is a seriously dangerous criminal who's done something seriously BAD because we hear there's a large reward for her, her picture's up at the post office, and the marshal came ALL the way to Australia to hunt her down.
I challenge you, lovely LOST readers, to try this same game WITHOUT assuming the flashes are memories of actual past events and examine what we see IN the order in which we see it. I'm gonna go on record: if we can piece together what's happening to Kate in THIS ONE EPISODE, especially given what we learned about the flashes in Season 6, we've just uncovered the BIGGEST trick LOST plays on us.
Yeah, I'm gonna run it down according to what I see (in my next post), but before that happens, you tell ME what YOU see. What if Kate has no idea she's the prisoner in this scene?
WELCOME to REWATCH, BABY! It's all about solving the puzzle!! WOOT!!
Now where were we? Um -- there we go.
WHOOOOOM. CUT TO:
Kate right where we/Jack left her in the rain. Kate shakes her head to clear it. LISTEN to the NOISE as she bows her head and turns away.
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MAKESHIFT SHELTER
Walt drops three (or four) white stones down "chutes" in a yellow hatch lookin' thingy. They quickly hit the bottom. He picks them up again. Michael ties down the tarp sheltering them.
- Michael: Hey, who's that bald guy you been hanging out with?
- Walt: Who? Mr. Locke? [NOW we know Locke's name. Notice that we learn his LAST name first, and that he's basically known AS Locke from the get go.]
- Michael: Yeah. He got any kids?
- Walt: I dunno. He didn't say.
- Michael: Well, what did he say?
- Walt: Some of it's secret.
- Michael: He told you not to tell me?
- Walt: No.
- Michael: Good. So what's the secret.
- Walt: Mr. Locke said -- a miracle happened to him. [This "miracle" will be revealed in "Walkabout," but when we first heard this line, we were dying to know! What is it?! Tell us?! Little did we know we'd be asking the same questions 6 years later! HA!]
- Michael: A miracle happened to all of us. We survived a plane crash. [Good point. Sayid brings this up later. However he's a bit more skeptic.] Nah, I'm creeped out by the secret thing. I don't want you hanging out with him anymore.
- Walt: Why not? He's my friend. [UH-OH!! We've heard Locke called THAT before! Clairuso called Locke/Smokey "my friend" when she introduced him to Jin. By then we knew he was NOT COOL and fairly dangerous.]
- Michael: I'm your friend.
- Walt: If you were my friend, you'd find Vincent. [Ah, remember? The way Locke/Smokey gets you to do what HE wants you to do? He offers to give you back something you've LOST.]
- Michael: I haven't given up on your dog. I'm gonna do everything I can to find him.
- Walt: No you won't.
- Michael: Yeah, Walt. I will!
- Walt: You don't care about Vincent.
- Michael: I'm gonna get your dog back as soon as it stops raining.
Walt shakes his head.
- Michael: Listen to me! I'm gonna get your dog back!
Suddenly, it stops raining. Walt looks accusingly at Michael. Michael sighs. [This was a way creepy Walt Moment when it aired. I'm still not entirely sure how Walt works on the island (yet).]
_________________________________________________________
HIGH GRASS JUNGLE
Check out the cacophony of weird BIRD CALLS [Remember what I told you. If you slow the soundtrack down enough and tweak it, each bird call is a voice crying "Help us!."] Michael wanders through the grass muttering to himself.
- Michael: . . . Walking through the haunted, damn jungle, lookin' for your ---
Crunching noises up ahead. They shift around. Michael calls for Vincent. Low growls. Something watches Michael from the grass. WATCH how the camera moves -- there's something not quite right normal about what's out there watching Michael.
Something charges him. Michael takes off. The noises are right on his tail.
[HAUNTED jungle! HAUNTED jungle! This is our VERY FIRST clue about ghosts/death/not "moving on." - Ironic, perhaps, that Michael will haunt this very jungle before it's all over, yes?]
_________________________________________________________
INTERMEDIATE JUNGLE
Michael bursts through the bushes. He freezes at the sight of Sun, topless, obviously giving herself a makeshift bath. She covers herself. Michael awkwardly looks away.
- Michael: Uuuhhh, something was chasing me -- I don't hear it now, but -- you should probably head back --
He picks up her shirt and gingerly hands it to her without looking.
- Michael: I didn't see anything. If you're worried about it, I, uh, I didn't see anything.
We get several more glimpses of Michael/Sun attraction thing going on. There's even a missing pieces mobisode featuring a Michael/Sun moment. I never figured it out. Anyone got any ideas?
Also HUGE distraction with the nekkid Sun thing -- it distracts us from wondering WHY whatever Michael's running from suddenly disappears once Michael leaves the jungle and enters the intermediate jungle. We'll see this type of thing happen a LOT.
OVERLAPPING gasps of pain.
_________________________________________________________
CRASH SITE
The marshal groans loudly in the infirmary.
Locke sits whittling something small. Charlie joins him, throwing glances back at the infirmary. The groans of agony continue. [LOCKE hand to HEAD move! Cool!]
- Charlie: What're you making?
- Locke: A whistle.
- Charlie: I used tribal flutes once. In a band.
Charlie looks back again. Shannon storms across the sand with her arms crossed. She looks toward the noises as well. She joins Boone, who sits thinkin'.
- Shannon: I wish he would just die already.
- Boone: Real humane, Shannon.
Jack collects water. Sayid walks with him.
- Sayid: The constant shrieks of agony are starting to upset people. What's going on in there?
- Jack: I'm trying to save his life.
- Sayid: Try harder.
- Jack - no response.
Despite Shannon's comment, I think it's to our losties' credit that listening to a man suffer in agony bothers them. NOTICE how it's NOT bothering Locke at ALL.
_________________________________________________________
PRIVATE BEACH
Night. Kate builds a campfire with the infirmary in the background. The marshal's cries of pain continue. [CHECK OUT THE ODD NOISE HERE]. She kneels to light the fire. She's out of matches. Sawyer flicks his lighter.
- Sawyer: Need a light?
She nods. He tosses to her (very cool one handed catch, Kate! Impressive!). She lights the fire. NOTE: Ocean sounds partially cover the marshal's groans. ALSO: We know know (from Jacob in "Why They Died") that the fire is some kind of "pow wow" tool. I'm still working on that one.
- Sawyer: I came by to thank you. You gonna ask me what for?
- Kate: What for?
- Sawyer: For taking that gun away from me.
- Kate: You're welcome.
- Sawyer: (smokes) Yep. SURE wouldn't want to be the one with that gun right now, sittin', listenin' to that boy scream all night. Knowin what has to be done. Knowin' that only the one with that gun can do it. Don't act so surprised. I heard you tell The Hero the same thing. Hell, there's only one bullet left. It'd be damn near poetic.
This is the second time Sawyer refers to the marshal as "boy" and Jack as "the hero." I think that's really odd. When when a southerner refers to a grown man as "boy," it carries a condescending meaning - you'd call a rookie "boy," for example. It can be demeaning: "you are less mature or experienced than I am," or "you have less authority than I do and we both know it." Weird, right? It's interesting that Sawyer seems to be working the manipulation thing on Kate, but that HE is manipulated/does the deed (well, attempts the deed) in the end. I mean, why does Sawyer care enough to play the guilt card on Kate?
_________________________________________________________
INFIRMARY
The marshal sweats and sputters. Jack tends to him.
- Marshal: Listen to me --
- Jack: No, you need to keep quiet ---
- Marshal: Listen to me! No matter what she does, no matter how she makes you feel, don't trust a word that she says [WHOA! This is how BEN describes JULIET to JACK when Jack bargains with him to save her]. She will do anything to get away.
- Jack: What did she do? [See, Jack still doesn't KNOW what she did.]
- Marshal: I wanna talk to her.
- Jack: Tell me what she did --
- Marshal: I wanna talk to her -- alone. [Remember that who you LISTEN too is really important. Think back to the finale when Ben tells John he doesn't need the wheelchair anymore]
They trade looks.
- Marshal: She got to you too, huh? [What on EARTH does this mean? I never got this line either. Does Kate "get to you," like, ever in this show in the way the marshal implies here? I HIGHLY suspect WORDPLAY rules here. I'll have to take another look at this later.]
He sputters. Jack doesn't know what to think. [HUGE question here: Why does Jack agree?]
Kate approaches the infirmary.
OVERLAPPING SOUND OF: Truck revving up. [PROXIMITY to the MARSHAL might have something to do with why Kate flashes when she does.]
_________________________________________________________
HIGHWAY
The marshal shoots a finger gun at Kate. She glares at him. Sound of frantic car horn HONKING.
_________________________________________________________
Okay, stop. I've seen this scene a billion times, but I NEVER noticed exactly what's happening here until now. WATCH: When we see Farmer Ray's truck, he is driving down a two lane country highway, and he is driving on the RIGHT side (his right), yes? When the marshal pulls up behind them, he's also driving on the right side, too, behind the truck. He pulls into the left lane to parallel the truck and make hand gestures at Kate.
We hear honking. Check it: A car heads toward them, but it isn't in front of the SUV. The car is heading straight for Farmer Ray's truck. The marshal puts the breaks on the SUV, stays in the left lane. Farmer Ray then moves his truck over to the left lane, in front of the SUV until the incoming car goes by (HONKING like CRAZY as it passes).
Anybody know why? It's because Australians drive the same way peeps drive in the U.K. do -- on the LEFT side of the road. [In the U.S., we say they drive on the "wrong side of the road." They say the same thing about us, I'm guessing.] This means that Farmer Ray and the marshal are both driving like we do in the U.S. HOWEVER, the oncoming car is driving like they do in Australia -- which is where this car chase is supposedly happening.
If this were a continuity error, then everyone on the road would be driving U.S. style, yes? It's impossible for this to be an accident. Car stunts are very carefully staged to keep peeps from getting hurt or killed. I can pretty much guarantee you that the oncoming car we see is not some random Joe who wandered into the shoot. Wanna know why? Because if he had, he'd've been on the RIGHT side of the road [Hawai'i is in the U.S. and follows U.S. traffic laws. Don't laugh. There are a lot of people don't know that Hawai'i is one of the 50 states -- And no, I'm not kidding!]
If it's not an accident, and it's not a continuity error,* then it's a CLUE. Let's finish this scene, and then see if we can pin down what this clue means (but I bet you've already guessed!).
*The "you're reading too much into a simple continuity error" method of LOST fan denial makes me ABSOLUTELY crazy. Team LOST has gone ON RECORD in PUBLIC to disclose continuity errors when fans catch them. The total number of errors on the list is about five. Enough said.
_________________________________________________________
HIGHWAY (CONT.)
Kate watches the mirrors [MIRRORS! This is our SECOND mirror sighting!]. Anxious moments as Farmer Ray's truck veers over the line. She grabs the wheel and jerks the truck of the road. It tumbles down a hill and stops. It catches on fire. [This would be the "anything" "she'll" do to get away, I think.]
Kate comes to. She climbs out, circles around and pulls Farmer Ray from the burning truck. His fake arm comes off as she drags him. Finally, she lugs him back to the highway. [But this would NOT be doing anything to get away. Hm.]
A semi honks as it streaks by. WATCH: The truck is driving -- YEP on the LEFT side of the road. HOWEVER, after it passes Kate, it moves to the middle of the road. There's no other cars nor anyone else nearby. Farmer Ray coughs on the ground.
CHECK OUT THE WEIRD EDIT HERE: Kate whips around to look behind her when Farmer Ray coughs. Then we directly cut to Kate looking down at him. The marshal cocks his gun and aims it at her head. She spins around again. CHECK OUT THE WEIRD NOISE HERE. It's MORE of the "Desmond just turned the key" noise.
- Marshal: Hey Kate.
She looks at him. Breathless, exhausted and completely trapped.
THE TURN-THE-KEY NOISE CONTINUES. WHOOOOOMMM overlaps into:
_________________________________________________________
INFIRMARY
Kate looks down on the marshal. LISTEN to the high pitched EEEEEEEEEEEEE.
- Marshal: What was it? The favor?
- Kate: I don't know what you're talking about. [DON'T automatically ASSUME she's LYING or just FORGOTTEN. LOOK at what happens in the flash.]
- Marshal: Last thing I heard -- before the crash, you wanted a favor.
WHOOOOOOMMM overlaps into:
_________________________________________________________
OCEANIC FLIGHT 815
Kate and the marshal tossed in their seats by brief turbulence. The marshal looks at Kate [FASTEN SEATBELT DING - Announcement]. He looks up. WATCH: Do you see that wicked smile on the marshal's face? How 'bout those ultra blue eyes?
- Kate: I have one favor to ask.
- Marshal: Really. This oughta be good.
BOOM! Passengers hit the ceiling. The case flies out of the overhead and conks the marshal. He holds his bleeding head and falls over unconscious. Kate, freaked, stares at him. The oxygen masks drop. The tail section breaks off. NOTE: The marshal's oxygen mask is DIFFERENT this time around. It's on his face like it's supposed to be instead of dangling off like it did the last time we saw this "flash." Kate, terrified, holds the mask to her face. BEEEP BEEP BEEPing. Her face warps.
LISTEN: I had to listen to it a few more times to be sure, but there's another repeat noise in addition to the beeping here. It's like, BUZZ, BUZZ, BUZZ. Hm. Remember what we HEAR is just as important as what we SEE. These sounds help tell the story, BUT we have to decipher them (just like we have to decipher everything else on LOST!!).
Yeah, I know. We've seen the extended version of this flash before -- right after Kate and Sawyer have their first "moment." As yourself, if Kate's telling the truth and has "no idea" what he's talking about, WHY? And what does that do to our interpretation of the flashes here? FYI: We've got NO hard evidence that Kate is lying or has ANY reason to lie here, so what does it mean? [Yep. I gotta pretty good idea. Next post. Promise.]
_________________________________________________________
INFIRMARY
Kate, right where we left her. The marshal waits. LISTEN: Hear the "cricket?"
- Marshal: Well?
- Kate: I wanted you to make sure Farmer Ray got his twenty-three grand.
The marshal chuckles into a brief coughing fit. Kate drops to his side.
- Marshal: [muddled] what the guy who ratted you out?
- Kate: He had one hell of a mortgage.
- Marshal: (smiles) Kate. You really are one of a kind. [MORE than you KNOW, buster!]
He chokes back the pain. She rests her hand on his chest.
- Marshal: You -- you would've got away if you hadn't saved him. [SO he admits: maybe she WON'T do anything to get away after all.]
- Kate: In case you hadn't noticed, I did get away.
- Marshal: You don't look free to me. [Or maybe not. Maybe getting caught/being on the island was the point of this entire episode. By the end, Kate's trapped on the island like everyone else. HINT: now AUSTIN'S trapped on the island too.] Kate, I'm gonna die, right?
[WATCH YOUR NOISES]
- Kate: Yeah.
- Marshal: So, are you gonna do it? Or what? [Answer: Or what.]
Jack keeps watch just outside. Hurley joins him.
- Hurley: Yo. So, where's the fugitive?
- Jack: In the tent.
- Hurley: You let her in there alone?
- Jack: What's she gonna do? She's a hundred and twenty pounds soakin' wet. [I'm sorry, but if E. Lilly weighs 120 pounds, I'll eat my hat. I've seen her in person [teeny, tiny, itty, bitty thing], and if she weighs 100 pounds soakin' wet with big rocks in her pockets, I'd be surprised.]
- Hurley: Yeah, but she's got that gun.
Jack takes off for the tent. Kate walks out the back. [LISTEN to the NOISE here] He calls her. She turns. Her face glows red in the firelight. He smiles, relieved.
He jumps at A LOUD gunshot. Weirdness alert: Her face is -- I don't know what -- very strange here [it's almost like "It's done." or "It's over." Resignation maybe. I dunno.] She turns and walks away. Sawyer exits the tent.
- Jack: What did you do?! [SAME question he asked Kate.]
- Sawyer: What you couldn't.
- Jack: Look, I get where you're coming from being a doctor and all, but he wanted it. Hell, he asked me. So I don't like it any more than you do. Somethin' had to be done.
Ironic that even the marshal is less concerned about keeping himself alive than Jack is, right? After he has this moment with Kate, THEN he's ready/asks to die. He doesn't assume that she's gonna do the killing either. Also weird: Sawyer's little guilt trip he gave Kate about "what has to be done" seems odd in light of his reaction and his inability to do the deed. ALTHOUGH: we know NOW that the ISLAND can interfere with things like whether the bullet shot at you actually kills you. That's interesting.
Here's where the evidence thins out. We have NO idea what Kate said to Sawyer (so we're not gonna go guessin'), but we know SHE wasn't the one who convinced Sawyer to do it. Sawyer says the marshal asked him to do it. See the distinction? The only thing we KNOW Kate did (for a FACT) is give Sawyer the gun and leave the tent before the gunshot.
A wet, horrible gasping choking. They all look to the tent. Jack glares at Sawyer.
- Hurley: Aw, no way. Guys --
Jack and Sawyer enter. Jack presses on the marshal's brand new chest wound.
- Jack: You shot him in the chest? You IDIOT!
- Sawyer: I was aiming for his heart.
- Jack: You missed.
- Hurley: Man, is he still breathin'?
- Jack: You perferated his lung. It'll take hours to bleed out.
- Sawyer: I only had one bullet -- [Not so damn poetic now, though, is it bud?]
- Jack: Get out.
Sawyer freezes.
- Jack: Get out!!
Sawyer leaves. He pulls out a cigarette. When it doesn't light, he tosses it. [We see Locke do the SAME thing right before he meets Helen.]
- Sawyer: Dammit! [This is usually JACK'S swear word of choice. Hm.]
The gasping/gagging sound changes. The brief sound of a man being smothered. Then silence.
LISTEN: HEAR any repeat WEIRDO noises? I DO!
A sickened Jack exits the tent. He walks past Sawyer without looking. We hear his labored breathing as he leaves. [I guess that whole "I am not a murderer" attitude was WORTHLESS in the end. Although, is what he does murder? He doesn't exactly kick himself all that much in the morning, considering how frickin' important it was to him before. I'm still poking into this, but it's worth noting that Jack's "being a doctor" would make him obsess about keeping the marshal alive when his painful death would take days, but when the marshal's death is "hours" away, he kills him, we're assuming, to "put him out of his misery." As always, we'll watch those assumptions. We're only guessing why Jack did it. We don't KNOW for a FACT.]
CUT TO BLACK:
_________________________________________________________
PRIVATE BEACH
The sun rises [unfortunately, it rises in the exact same spot it went down. Uh-oh.] Locke sits in the sand with his back to the sea. He blows his whistle several times. Rustling leaves. He blows again. A dog barks. Vincent emerges from the jungle. He kneels in the sand -- no where NEAR Locke. That is, he comes out of the jungle when the whistle is blown, but he doesn't go to Locke after he sees him.
Locke walks through the site. Peeps are just starting to wake up. He gently wakes Michael. Locke FINGER TO HIS LIPS - SHHHHHH [FIRST TIME!]
- Locke: I found your son's dog, Vincent. I tethered him to a tree just over there. I know Walt lost his mom. I thought that you should be the one to bring his dog back to him.
- Michael: Thanks.
- Locke: Welcome.
_________________________________________________________
PRIVATE BEACH
Jack sits in the sand and stares at the sea [and he is SMOKIN' HOT and obviously in need of my personal physical attention. Dang!]. Kate joins him.
- Kate: I want to tell you what I did. Why he was after me.
- Jack: I don't want to know. Doesn't matter, Kate. Who we were. What we did before this. Before the crash. It doesn't really -- [muddled "It's a relief" maybe?]
- Jack: Three days ago, we all died. We should all be able to start over.
- Kate: Okay.
- Jack: Okay?
Um, Mr. "What did she do? What did she do?" guy has sure changed his tune, yes? NOTE: Jack says "start over." Farmer Ray says, "a fresh start." These two phrases do NOT mean exactly the same thing, do they? Hm. Neither necessarily equates to "Tabula Rasa" either.
HUGE, HUGE message/clue from Team LOST here. It sets up the ENTIRE show!
- Juliet tells Jack, "It doesn't matter who we were. It only matters who we are." ["A Tale of Two Cities"]
- Hurley tells Jack he's not taking his meds, "'Cause we're dead... all of us. All the Oceanic Six--we're all dead. We never got off that island."
- Richard says, "You wanna know a secret, Jack? Something I've known a long, long time. You're dead. . . We are all dead, every single one of us. And this, this, all this, it's not what you think it is. We're not on an island, we never were." ["Ab Aeterno"]
- Jacob says, "I bring people here to prove him wrong. And when they get here, their past doesn't matter." ["Ab Aeterno"]
- Locke tells Jack, "But because Jacob chose you, you were trapped on this island, before you even got here." ["The Last Recruit"]
- Jack: "You died. How are you here?" Christian: "How are you here?" Jack: I died too." ["The End"]
- Jack asks: "Why are they here now?" Christian says "there's no NOW, here."
THE PRESENT is what we're watching on LOST, NEVER the PAST. We are HERE.
VERY, VERY, VERY FRICKIN' important that Jack says "THREE DAYS AGO, WE ALL DIED," don't you think? Especially when FLASHJack's epiphany is, "I died, too." AFTER that epiphany, is when he's ready to "leave/move on." FlashJack now know the same truth ISLANDJack knows: They ALL died BEFORE THE CRASH.
I'm just gonna say it: EVERYONE we see in that church had ALREADY "died" before Jack opened his eyes in the pilot. The SHOW tells us this in Episode THREE.
However, in the world of LOST, death is not always what it seems to be.
MUSIC BEGINS. WATCH: Look how Kate and Jack awkwardly look away from each other. Jack checks out his hands (NOTE: Scraped knuckles. Never understood what the scraped knuckles were all about). Jack holds his right hand with his left. Kate looks at him. He briefly looks at her, then looks away.
_________________________________________________________
MONTAGE OF HAPPINESS: Slo-Mo Crash Site [Big Fat Red Herring Version]
Hurley listens to the music we hear. He pours sand out of his shoe. He looks around, content. Music swells.
Jin wipes down his neck as he returns to his and Sun's "spot." Sun sleeps in the shade. He gently brushes her hair from her face and tucks it behind her ear. [Here's more evidence of a change in Jin.]
Shannon moping. Boone arrives with sunglasses repaired with a paperclip. He touches her hair and cocks a smile as he leaves. She smiles after him. [Shannon and Boone puzzle me to this day. Let's highlight them for rewatch.]
Sayid walking and tossing an apple in the air. He tosses it to Sawyer on his way by. Sawyer catches it one handed. RIGHT handed. Sayid smirks. Sawyer ponders the apple and stares after Sayid. [Dude: Sawyer shot that polar bear LEFT handed. Now he's right handed? Sayid's buddy/bonding why exactly? Cuz Sawyer had the balls to pull the trigger and "do what had to be done?" That's my best guess, too. Doing what has to be done becomes a running theme with Sayid later on. Either way, Sawyer doesn't look all that happy about it.]
Charlie sits on a tire. He retapes his pinkie finger and writes "L" on it. Now, instead of "FATE," it reads "LATE." NOTE: Charlie wears THREE think black bands on his left wrist and a black watch on his right. [I'm still pondering the "Fate" v. "Late" terminology. Gotta work on that one too.]
Claire sits not for away. She smiles and rubs her belly. NOTE: black band on Claire too. [Claire's bonding with her baby -- interesting when we consider she was on her way to give it away. It bothers her too -- when she gives birth.]
Walt stops. Michael arrives with Vincent. Walt, Michael and Vincent share a happy, reunion moment.
Locke watches them. We pan from his POV to his face. The song ends as we pass his ear. The music turns eerie and distorted. LISTEN: There are a number of familiar hums and whooshes all crammed together here. By my second listen, I counted six different distinct noises that blur and wobble around each other.
We fade to black on Locke's face as he stares at Walt, Michael and Vincent. His expression is blank, but the music makes it look VERY creepy. I say again, if you mute the music and watch this scene, it "feels" different, doesn't it? WEIRDNESS ALERT: If you take this head-on picture of Locke and do the same cover-one-side-of-his-face trick we did with Jack, you'll see something startling. Check it out!
_________________________________________________________
End Episode 1.03
_________________________________________________________
NEXT: Episode 1.04 - "Walkabout"
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